We have seen the tragic event of the past week and events of the recent past and this only emphasizes the importance of the writer as a social figure. It is also crucial that we allow democracy to filter into the classroom, allowing a variety of viewpoints to be read in various texts.
There are a variety of ways in which writers tell the truth. Sometimes, they overtly criticize a political regime or administration. This act seems to be what is most often chastised and severely punished, even by imprisonment or death. At other times writers use satire, a phenomenon which, when done carefully, evades censors and thus the readers (or viewers of theater) are quick to pick up on institution that is being critiqued. Humor can be a tool in doing this: what we know of as, for example, “dark Slavic humor” masks a sarcastic commentary. The twin sister of satire is allegory, in which a fable-like quality is given to the lead characters and narrative, allowing it to be read on one level as simple story (that retells a classic we know), while a more profound subtext is below what we read on the surface.
Politics, religion, social institutions, -isms of various sorts (such as sexism) are all topics that brave writers address through literature whose goal is social commentary. Sometimes, fiction is the best way to make sense of our world and engaging people: think of how many people tune out and stop watching the evening news or reading the (online) newspaper when they are faced with the literal facts and information about what is going on in the world. Fiction allows for a deeper analysis of our current situations, end it often does so in a much more poetic or palatable way.
There are those who will say a writer should write with the philosophy of “art for art’s sake,” such as Oscar Wilde did. However, Oscar Wilde himself did comment on society in many of his works, albeit in a highly aesthetic way. Even his own life, as a gay aesthete writer, was an act of rebellion for which he heavily paid the price. The takeaway should be that enjoyable, appealing prose and social commentary are not mutually exclusive.