Who Got It Right as a Woman: Patti Smith

It might be hard to believe at first glance, given that famous long, stringy hair, androgynous appearance, and her origins as a proto-punk poetess and singer dubbed “The Godmother of Punk.” But Patti Smith is not who she necessarily seems on the surface. She is an incredibly well-read woman, writer, photographer, and a true romantic with a tremendous aesthetic eye and love of beauty. While I cannot confess to being a great fan of her music, I have watched and read many interviews with her, saw in her speak in public, and so an exhibit of her photographs at the Detroit Institute of Arts. There is so much to admire about her!

-She is highly cultured. This is the artist who considered Balzac to be her first love! Smith has made pilgrimages to the homes of various artists and writers around the world. She admires how Red Hot Chili Peppers’ guitarist Flea warms up with Bach runs. And one of her childhood heroes was Maria Callas. She loves going to bookstores and always talks about the book she is reading in interviews. Patti Smith has spoken of how she really considers herself to be a writer first, and that music happened to get put to her words.

-She is romantic and she loves men. People have often mistaken her youthful snarling and androgyny for militant feminism or even lesbianism, but Smith has mentioned she likes it when men hold the doors open for her, loved her husband deeply and was still devoted to her one time lover, Robert Mapplethorpe, even after he came out gay. Smith has always seemed to adore the men she has been with. How one presents oneself to the world does not always equate with one’s sexual orientation.

-She is a true artist who values great craftsmanship, whatever the mode. Despite her usual uniform of black blazers and jeans, she admires the construction of couture ball gowns! She feels deeply about the objects she photographs, and in the exhibit I saw, what was most striking was not the photographs themselves, but the canon she had put together through photography. She has a sensitive aesthetic eye and is moved by great art of any kind.

-She was a committed mother and wife. She followed her husband, the late Fred Smith, to Detroit since his band was based there. During this period, she spent little time on her music, focusing on her family life and also her writing. In interviews, Patti Smith seems to have no regrets for having left New York for going to Detroit for a time, gracefully embracing what each stage in life has held for her. She loves her children and even performs with them.

-She doesn’t follow any-isms. So often she is considered a feminist icon and asked as such; Smith seems to shrug it off and not care to identify with any big labels or movements. Instead, she chooses to be herself, the artist that she is.

-Her tastes are wide. As a child, she poured over European art books, listened to opera, read French literature. She also is a fan of Japanese writers and Roberto Bolaño, Tibetan Buddhism, traveling in Morocco, Little Women, beat poetry, and so much more. She is listed as a poet on the prestigious Poetry Foundation’s website, an honor that is not for dilettantes. Even her albums reference sometimes-obscure cultural phenomena, such as the dog Banga in The Master and Margarita. This is a woman who is clearly well read and a woman of letters who is influenced by other great artists!

-She doesn’t care to dress in a “feminine” mode. The trademark hair is long and unkempt, her face is free of makeup, and even at the Nobel ceremony (where she accepted the award for Bob Dylan) she did not choose to done a dress. Smith was always comfortable dressing as she does (which is still quite an iconic, unique style), though she does love ball gowns and there is a photo shoot one can see online where she is in Dior gowns!

-While she might seem rebellious and certainly was as a young woman, she is actually quite respectful and accepting of religions, general proprieties, etc.

Ultimately, Patti Smith is true to herself. She considers herself an artist above all the categories of gender, ethnicity, etc. She has shown us that it doesn’t matter what kind of background you come from, that even if you are from a working-class background, you can still have an aesthetic soul and live for your artistic dreams. When I saw her give a talk in Ann Arbor in 2010 or so, I had the great fortune to ask her a question: what do you do when you are feeling a lack of inspiration? Her answer was that she is never in this state, because she will constantly draw her inspiration from other great artists and writers, so she will turn to their work, and that she is also inspired by walking by the ocean. I found this to be a satisfying answer, and I am inspired by this true artist.

Faces of Africa

Back in May, prior to the Black Lives Matter marches, I felt that I needed to know more about politics in Africa, a part of the world I have not yet been to. Ironically, May is “Africa month,” a time to commemorate the continent. I came across a series on YouTube by CGTN (a Chinese network) called “Faces of Africa” where they profile the major leaders of Africa, most of whom helped liberate their countries from colonial powers. Each episode was unique and each leader a distinct personality. There were some whose names I knew very well, like Robert Mugabe, but others with whom I was less familiar. Some are still revered, whereas others are reviled.

Europeans might already be aware of the deep roots of colonialism in the African continent. For many of them, the presence of people from Africa and current-date immigrants is a reminder of their history. Indians have also had a presence in Africa for centuries, and Mahatma Gandhi was a lawyer in South Africa. More recently, there are East and Southeast Asians, and an Indonesian South African recently told me that the recent Asian immigrants have a better social status than earlier ones, as they had come from business and often brought great wealth. There are indeed a number of whites who are African whites, as their families have lived there for centuries. This is not just in the country of South Africa, but elsewhere, especially in former colonial strongholds.

It is important to know that there is extreme class stratification throughout the African continent. Africa is full of natural resources and so there are very wealthy people who have profited from these commodities. There are also booming metropolises, such as Lagos, Cairo, Johannesburg (“Joburg” to the locals), and more that are centers of trade, finance, manufacturing. There is also extreme political instability throughout the continent, extreme corruption, and a lack of infrastructure. This is understandable, for the landmass is enormous, and encompasses all types of geography, from deserts to plains to snow-capped mountains to jungles. There is tremendous diversity in the religions and languages, with the North and Maghreb being predominantly Muslim, and over 1500 languages spoken in six different language families.

Yet despite this diversity, the continent has suffered through so many similar situations. The legacies and tragedies of colonial powers were affecting Africa through the mid 20th century. Exploitation–both financial and human–was rampant all over. The profiles of the leaders shown in “Faces of Africa” often reflect a very similar pattern: a colonial power had long had a hold over the country, and then a courageous idealist rose up to rebel against the colonials, garnering popular support along the way, and then became the leader of the country. However, over time, this leader either ended up facing opposition and was somehow ousted, or this leader ended up becoming a dictator just as bad as the colonial rulers. Many of them were educated in the West, and just like Gandhi, ended up using this knowledge of history and politics and the law to turn out the Western powers. The degree to which each of these leaders chose to remain connected to the west, or to be pro-Africa, has varied. Their styles of governing also differed greatly. Ethiopia’s Haile Selassie was an internationalist and Emperor, grand in his portraits and lifestyle. Joseph Sankara, “Africa’s Che Guevara” from Burkina Faso was a left-wing revolutionary who opposed the IMF and lived very frugally to the end. Robert Mugabe, the Prime Minister of Zimbabwe who identified first with Marx and Lenin and then as a socialist, was a schoolteacher who rose to power to become one of Africa’s most notorious dictators, complete with a second wife who was known for her profligate spending.

These liberators are complex people who share many similarities but also have many differences. They raise greater questions: can one truly remain an idealist once they are in power? Will political coalitions and unity fragment once the common enemy of the colonizer is gone? Can a country that is part of the developing world subsist without aid from the developed world/IMF/World Bank? Can isolationism really help develop a country or will it hinder it? These are questions that have no easy answers and that have not yet been answered, issues that political scientists, historians, politicians, and those working in government confront even as we speak. One of the most pressing issues right now is debt forgiveness for Africa, and the Chinese have been involved as of late.

The African continent is rich in history and politics. While it is impossible to know everything about such a large area of the world, it’s important to inform oneself as best as when can. Even simply learning the geography and basic facts about the various countries is a good start.