The Training of an Artist

Biographies are tremendously fascinating, because we get to know about creative people’s lives and the truth about who they really are, rather than the stereotype or caricature or popular image. I watched a documentary on the fabulously prolific and talented Woody Allen, who is best known as the Icon of New York. Not too long ago, I watched a documentary on the legendary Carol Channing (who doesn’t love to mimic that voice? I certainly do!), who is still going strong even over 90 years old. And a few years ago, I had the opportunity to see Patti Smith speak, and once again, it was interesting to see the difference between the stringy-haired, unkempt, androgyne image and the cultured woman who seemed much warmer in person than her forbidding appearance in Mapplethorpe photos would suggest. I suppose I could say that lately, I have had a habit of learning about the biographies of various performers and artists, and it is probably one of the best kinds of training a budding artist can have.

To expand on the above—-Woody Allen is extremely versatile, a multi-talented artist who has mastered film, music (he plays jazz clarinet with a band weekly in Manhattan), screenwriting, fiction writing, and of course, comedy. It is interesting to chart his course as to how he became a filmmaker. He began with writing comedy, and then performing it. Performance was not easy for him, but I believe it gave him an understanding of acting and stage performance that later made him (according to many accounts) the ultimate actor’s director. His influences are varied, from classic literature to New York Jewish culture to music to, nowadays, a very youthful global sensibility. If we look strictly at his artistic work, we see a man who is extremely disciplined, dedicated, and hard working. He seems to put out a feature film almost every year, which is by no means an easy task: there has to be the script, the right cast, the production (sometimes they are on location in a variety of places overseas), the funding, et cetera. It is amazing how Allen always manages to synthesize a wide variety of influences and yet always keep the story focused on his unique and complex characters. He has his own voice; there’s really nobody else quite like him. He’s an artist who really trained himself, not having come from a formally educated background. His most recent films, in my opinion, have a certain freshness to them that some of the earlier ones lack; set in exotic locations or cities with younger and more numerous casts, they are less neurotic and repetitive than previous films. I happen to call it the Soon-Yi effect, but who knows.

Carol Channing is an extremely educated and cultured woman. She grew up in the liberal, diverse city of San Francisco (she herself had some African-American ancestry through her father’s side). She was trained in ballet as a girl. In her documentary, she talks of some Russian music that she liked. She studied at Bennington College (I believe French was her major) before embarking on her professional career. Her husbands were of different ethnic backgrounds. And despite being the object of much mimicry, she herself is an excellent mimic! She has performed everywhere, so her sense of peoples and audiences is vast. What we see on stage is a Broadway star, but the real woman reveals herself as an artist with a tremendous work ethic and great knowledge of culture beyond Broadway.

Patti Smith is another “surprise,” if I dare to use the word. The “Godmother of Punk” with a rather wild, bohemian past is also an autodidact who imbibed as much culture as possible when young. She would read French poets like Rimbaud and peruse books on great European painters. She lived in New York City, the world’s great cultural mecca, with a budding young photographer named Robert Mapplethorpe. She mingled with other artists and musicians, spent time in Paris, and played in bands. She is known primarily as a musician, but she is also a writer. When I heard her speak a few years ago upon the release of her award-winning memoir Just Kids, she talked about her discipline in writing. Smith also said she never feels a lack of inspiration, because she is always reading the work of other writers or seeing the work of other artists. She mentioned, with admiration, how bassist Flea (of the Red Hot Chili Peppers) warms up with Bach runs. Last year, I saw her exhibit, Camera Solo, which was a collection of photographs of places and objects she loved. The photographs themselves were not so extraordinary were striking; however, what was most fascinating was Patti’s canon—-her choice of subjects that she photographed that meant something to her. I must be clear, I am not so familiar with her music, but I find her extremely fascinating as an artist with such a vast knowledge of culture in all its facets. Apparently the French agree: they awarded her the prestigious Ordre des Arts et des Lettres in 2005.

These are just 3 examples of artists whose paths and training I found inspiring and fascinating. There are so many more artists’ paths out there waiting to be discovered by young or new artists. It is my feeling that, ultimately, an artist must educate her/himself.

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